be {alone}

pascal quiet in room

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remembering soulb

home is here.

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overcome the fear of being alone.

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we’re sacrificing conversation for mere connection..

so what is the problem in having a conversation – well it takes place in real time and you can’t control what you’re going to say..

there’s no editing ourselves.. in order to present ourselves… we are in the raw, in the vulnerability of context.. swimming in and embracing uncertainty..

if we’re not able to be alone… we’re only going to know.. how to be lonely..

alone. together.

talk to self. talk to others.

authenticityattachment.

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remembering soulb – me

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embrace being weird, standing out.

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Suggested book read:
Seth Godin –  We Are All Weird (a celebration of choice)
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from James Baldwin (via Maria):

https://www.brainpickings.org/2014/08/20/james-baldwin-the-creative-process/

Perhaps the primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid; the state of being alone.

pascal quiet in room

self-talk as data.. as we are set free to be us/artists.. all of us..

Most of us are not compelled to linger with the knowledge of our aloneness, for it is a knowledge that can paralyze all action in this world. There are, forever, swamps to be drained, cities to be created, mines to be exploited, children to be fed. None of these things can be done alone. But the conquest of the physical world is not man’s only duty. He is also enjoined to conquer the great wilderness of himself. The precise role of the artist, then, is to illuminate that darkness, blaze roads through that vast forest, so that we will not, in all our doing, lose sight of its purpose, which is, after all, to make the world a more human dwelling place.

[..]

It is for this reason that all societies have battled with the incorrigible disturber of the peace — the artist. …And it is absolutely inevitable that when a tradition has been evolved, whatever the tradition is, the people, in general, will suppose it to have existed from before the beginning of time and will be most unwilling and indeed unable to conceive of any changes in it. They do not know how they will live without those traditions that have given them their identity. Their reaction, when it is suggested that they can or that they must, is panic… And a higher level of consciousness among the people is the only hope we have, now or in the future, of minimizing human damage.

In a sentiment that Jeanette Winterson would come to echo decades later — Art … says, don’t accept things for their face value; you don’t have to go along with any of this; you can think for yourself.”

[..]

The artist is distinguished from all other responsible actors in society — the politicians, legislators, educators, and scientists — by the fact that he is his own test tube, his own laboratory, working according to very rigorous rules, however unstated these may be, and cannot allow any consideration to supersede his responsibility to reveal all that he can possibly discover concerning the mystery of the human being. 

[..]

Societies never know it, but the war of an artist with his society is a lover’s war, and he does, at his best, what lovers do, which is to reveal the beloved to himself and, with that revelation, to make freedom real.

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