steve mcqueen

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But then I ask when he has felt most powerless in his life, and his expression darkens. “At school. God, that was horrible.”

By the age of 13, one class of academically gifted kids had been creamed off for special attention. Then there was 3C1 class: “For, like, OK, normal kids.” And then there was 3C2: “For manual labour, more plumbers and builders, stuff like that.” McQueen was put in 3C2. At first, he says mildly, “I don’t know why. Maybe I deserved to be,” and seems about to drop the subject. Moments later: “That inequality – I fucking loathe it with a passion. It’s all bullshit, man. It really upsets me.”

It was horrible. It was disgusting, the system, it was absolutely disgusting. It’s divisive and it was hurtful. It was awful. School was painful because I just think that loads of people, so many beautiful people, didn’t achieve what they could achieve because no one believed in them, or gave them a chance, or invested any time in them. A lot of beautiful boys, talented people, were put by the wayside. School was scary for me because no one cared, and I wasn’t good at it because no one cared. At 13 years old, you are marked, you are dead, that’s your future.”

But McQueen seems uncomfortable with self-examination, so I’m surprised when he calls a few days later to say, “I thought we hadn’t really finished the conversation last time. An hour and a half isn’t long enough to get there – and I want to get there, wherever it is, I don’t know.” It’s true, he agrees, that he doesn’t like talking about his childhood. “I tend to not think too much about that. But I thought the school stuff was interesting. It was a very early stage of my life to see the discrimination against black and working-class people, and I needed more time to think about that. It takes time.”

Then his voice becomes slightly strained. “I’ve never said this before, ever. But I was dyslexic. And I’ve hidden it, because I was so ashamed. I thought it meant I was stupid.” He pauses. “Also, I had a lazy eye. So I had a patch. When you’re in front of the chalk board, you still can’t fucking see. So it was a terrible start. And people make judgments very quick. So you’re put to one side very quickly.”

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Steven Rodney “Steve” McQueen CBE (born 9 October 1969) is a British film director, screenwriter, and video artist. He is a winner of the Caméra d’Or and a BAFTA. His 2013 film, 12 Years a Slave, won him the award for best director from the New York Film Critics Circle. McQueen is known for his collaborations with actor Michael Fassbender, who stars in all of McQueen’s three feature films.

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